James Earl Jones Theatre Recogntion
Jaroff Studio received the Lucy G. Moses Preservationist Award from the New York Landmarks Conservancy in recognition of our work on the James Earl Jones Theatre.
Published Projects
| TOPIC | DESIGNER | OUTLET | SCOPE |
| Waterline Square, NYC | David Rockwell (Amenities Center) | CISON PR Newswire DesignBoom, November 2020 New York Real Estate Journal, October 2020 I Love The Upper Westside, October 2020 Biz Journals, September 2020 Forbes, September 2020 |
Two hundred foot long wood clad steel bridges and stairs with curved glass. Suspended aluminum and GFRG cloud ceiling and columns with integrated lighting. |
| Chanel | Peter Marino | Town & Country, November 2018 | Three Story Steel and Stone Cantilevered Staircases with Integrated Glass with Forged Sterling Silver and Bronze Handrail and Top Cap |
| Louis Vuitton Flagship Store, NYC | Peter Marino | Retail Design Blog, December 2015 | 45-foot Tall Steel, Stone, Glass with Bronze Vitrines; illuminated Wall with Integrated Stair; Bronze Marquee; Glass and Bronze Entries with Vestibules and Door Pulls |
| Van Cleef & Arpels, NYC | Jaroff Design | Architectural Digest, February 2014 | Grand Staircase, Glass and Bronze Guardrails, Exterior Fascia Panels, Ceiling Racetrack Light Fixture |
| MOMA PS1 | Andrew Berman | Andrew Berman | |
| David Yurman Townhouse, NYC | Gabellini Sheppard | Interior Design-Best of Year Awards Issue, December 2010; Women’s Wear Daily, April 2010; QC Eye, April 2010; Interior Design, September 2010; | 2-story faux Cor-ten steel façade and custom design etched glass diplay windows; interior steel trim |
| Surrey Hotel, NYC | Lauren Rottet | Town & Country, April 2010; Forbes Life, March 2010; Casa Life, Spring 2010; Vanity Fair, February 2010; Interior Design, February 2010 | Painted-black metal frame and glass marquee |
| The River That Flows Both Ways, The High Line Park, NYC | Spencer Finch | The Globe & Mail, June 16, 2009; Art in America, June 9, 2009, Time Out New York, June 4, 2009, New York Times, May, 21, 2009 | Restored metal window frames and glazing for 700 colored glass panes for site-specific, public art installation |
| Weill Greenberg Center, Cornell Medical College, NYC | Polshek Partnership Architects | Interior Design, December 2007 | Corten steel entry lobby walls and donor walls for 20-story building |
| 2007 Kips Bay Decorator Show House | Eve Robinson | New York Home, Sept-Oct. 2007, House Beautiful Online, April 2007 | Bronze fireplace |
| 40 Bond Street, NYC | Herzog & deMeuron | The Architects Newspaper, March 8,2006 | Expert consultants on signature cast glass façade |
| Jaroff Custom Entryways | Jaroff Design | Builder, September 2005; Custom Builder, May 2005, HGTV (Home&Garden TV), May 2005; Apartment Therapy, November 2004; Architectural Record, October 2004 | Custom-designed lines of metal and glass doors introduced by Jaroff Custom Entryways |
| Jaroff Design’s Custom Glass Stairs | Jaroff Design | Residential Architect, October 2005; Upscale Remodeling, Fall 2005; Glass Magazine, April 2005; Custom Home Magazine, May 2004; HGTV (Home&Garden TV), May 2004 | Glass and stainless steel stair system highlighted for residential and commercial projects |
| Mandarin Orient Hotel/Asiate Restaurant, NYC | Tony Chi | Interior Design, April 2004; Contract, March 2004; New Yorker, January 19, 2004 | Wine racks in stainless steel with internal lighting, hung from ceiling |
| Alexander McQueen Store, NYC | Selldorf Architects | Interior Design, April 2003; Women’s Wear Daily, August 1, 2002 | Suspended illuminated aluminum display cases and clothes racks |
| Stella McCartney Flagship Store, NYC | Universal Design Studios | Interior Design, April 2003 | Dressing rooms |
| Brooklyn Botanical Gardens, Brooklyn, NY | Jaroff Design | Glass Quarterly, Spring 2004; New York Times, Nov.16, 2003 | 50 foot high glass cone sculpture |
| Ross School, East Hampton, NY | Richard Cook Associates (Bldg 5);Michael Lewis (Bldg 2); Lawrence Group (Bldg 10) | Interior Design, May 2002; New York Times, Dec. 6 2001 | Classroom suites, furniture, partitions, and railings in blackened stainless & carbon steel; custom hanging auditorium ceiling in glass, fabric, and stainless steel |
| Asia Society & Museum, NYC | Bartholomew Voorsanger | Interior Design, May 2002; New York Times, Nov. 16 2001 | Aluminum and resin café tables |
| Neue Galerie, NYC | Annabelle Selldorf | Architecture, June 2002; New York Times, Nov. 16 2001 | Concierge desk, bookstore shelves, displays, and sales desk in blackened stainless steel, bronze, wood & leather |
| Clift Hotel, San Francisco, CA | Philippe Starck and Anda Andrei | Architectural Record, March 2002; Vanity Fair, Sept. 2001; Hotels Magazine, Jan.2002 | 30 ft. bar and grand cross dining table in illuminated stainless steel & mirrored glass |
| Hudson Hotel, NYC | Philippe Starck and Anda Andrei | “Sex in the City” TV Show (HBO), Episode 8:1, 2004; Glass Digest, June 2002; Interior Design, Dec. 2001; “Best of 200l” NY Construction News, June 2001; “Best City Hotel” Interior Design, Jan. 2001; Vogue, Nov. 2000; Newsday, Oct. 24, 2000; New York Times, Oct. 5, 2000 | Illuminated metal and glass floor with neon yellow glow in lounge; exterior custom bronze shutters |
| ING Direct Café, NYC | Gensler | Interior Design, November 2001 | Orange perforated metal façade structure; interior stainless-steel wall display system |
| Nicole Farhi | Gabellini Associates | Architectural Record, Jan. 2001 | Painted steel, bronze & glass marquee |
| HBO Offices, NYC | Gensler | Interior Design, September 2001 | Nickel silver metal railings and trim for screening room; custom metal furniture |
| Leaming – Pollish Residence, New Canaan, CT | Toshiko Mori | House Beautiful, Nov. 2000 | Custom stainless steel windows and doors for minimalist glass house |
| Cohen Residence, Casey Key, FL | Toshiko Mori | Architecture, Aug. 2000 | Blackened stainless steel window shades and louvres and custom furniture |
| Pfizer Headquarters, NYC | Switzer Group | Contract, May 2000 | Columns, wall panels, and furniture panels in stainless steel “welded planking” |
| Paula Cooper Gallery | Richard Gluckman | Interior Design, Dec. 1999. | Steel doors |
| I. M. Pleats Please, NYC | Toshiko Mori | Architecture, September 1998; New York Magazine, May 25 1998 | Green aluminum transaction kiosk and store fixtures |
| Discovery Channel Flagship Store, Washington, DC | Pompei A. D. | I.D. Magazine, May 1998; Barron’s, Mar. 9, 1998; New York Times, Feb. 28, 1998; Forbes, Feb. 23, 1998; San Francisco Examiner, Feb. 23, 1998; Washington Post, Feb. 23, Mar. 1, Mar. 7 – 8, Apr 1, Apr 9, May 8, 1998 | |
| Arena Residence, NYC | Desai/Chia Studio | Elle Decor, May 1998 | Sandstone stainless steel sinks & vanity; range hood |
| Le Cirque 2000 5-Star Restaurant/The Palace Hotel, NYC | Adam Tihany | Metalworks Magazine, January 1999, Hospitality Design, Jan./Feb. 1998, cover story; Esquire Magazine, Nov. 1997; Pinnacle TV show (CNN), Nov. 16, 1997; Vanity Fair, July 1997; People Weekly, June 30, 1997; Washington Post, May 1, 1997; New York Times, April 2, April 30, May 1, 1997; New York Magazine, cover story, April 21, 1997; Good Day New York (Fox-5), April 16, 1997 | Bar, torchieres, and 80 ft. ellipses in stainless steel, glass, and neon; replica landmark entry doors in bronze and wood |
| The Newseum, Arlington, VA | Ralph Appelbaum | Newsday, Apr. 23, May 21, 1997; New York Times, Apr. 13 & 14, 1997; Network radio & TV coverage | Sandstone stainless steel wall displays, geodesic sphere, reception desk, café, etc. |
| Museum of African American History, Detroit, MI | Ralph Appelbaum | Life, June 1997; New York Times, Apr. 12, 1997, front page photo and story | Bridge through slave ship hold, fixtures, board & artifact displays in gun metal |
| Pacific Enterprises Offices (in I.M. Pei’s Interstate Tower), Los Angeles, CA | Richard Artschwager | Featured in the film Up Close and Personal, 1996 with Robert Redford & Michelle Pfeifer (Touchstone Pictures) | Reception desk in bronze, wood, stone, and living African scrub grass |
| Mison Concepts’ profile | Mison Concepts/Joseph Jaroff | Business, June/July 1996 | Profiled as part of article on succesful small businesses in highly regulated fields |
| Howard, Darby, Levin Offices, NYC | Richard Nash Gould Architects | Contract Design, July 1995; New York Times, Sept. 17, 1993 | Stainless steel canopy, railings, fixtures, and trim |
| Polo Sport Flagship Store, NYC | Richard Gould | Interior Design, May, 1994; New York Times, Sept. 17, 1993 | Stainless steel canopy, railings, fixtures, and trim |
| “Rooftop Sculpture,” Dia Center for the Arts, NYC | Dan Graham | New York Times, May 21, 1993 | Round room within a 40 ft. room, stainless steel and two-way mirror |
| Warner Brothers Records, Rockefeller Center, NYC | Bausman – Gill | Interiors, Jan. 1993,14th Annual Interiors Awards; Interior Design, Sept. 1992 | Bronze doors, racks, stair, railings, furniture, and art display area |
| Banana Republic, Chicago, IL | Robert A. M. Stern | Interior Design, December 1993; Interiors, Jan. 1993,14th Annual Interiors Awards | Gun metal and glass stair |
| Dia Center for Arts,NYC | Dan Graham | New York Times, May 21,1993 | Two – Way Mirror Cylinder Inside Cube |
| J. P. B. T. Advisory Headquarters, Miami, FL | Carlos Zapata | Interiors, Jan. 1993,14th Annual Interiors Awards; Architectural Record, Sept. ’92; Featured in the film Miami Rhapsody with Sarah Jessica Parker and Antonio Banderas (Hollywood Pictures, 1995) | Stainless steel custom furniture |
| Guggenheim Museum Addition, NYC | Gwathmey Siegel | Interiors, Jan. 1993; Architectural Record, Oct. 1992 | Stainless steel and bronze doors, steel rails |
| “State House Clock” Sculpture, Boston, MA | R. M. Fischer | Sculpture, May/ June 1992; Boston Globe, 1992 | Four-way clock in stainless steel, brass, bronze, and plexiglass |
| Deloitte & Touche Corporate Headquarters, Wilton, CT | Ellerbe Becket; Peter Pran; Carlos Zapata | Architectural Monographs # 24, 1992; Global Architecture, 1990; Architectural Record, May 1990 | Reception/conference area in stainless steel, copper, glass, and gun metal |
| “Generations” Sculpture, Elvahjem Museum of Art at the U. of Wisconsin, Madison, WI | Richard Artschwager | Public, Sept. 1991 | Outdoor sculptures: stainless steel, acrylic, and living pine trees |
| “Space Craft” Sculpture, NYC | Richard Gluckman | Interior Design, Sept. 1991 | Stainless steel woven wire, mezzanine, pocket doors, windows, and rails |
| Marimekko Retail Store, NYC | Toshiko Mori | Interior Design, Sept. 1991 | Aluminum display systems |
| Elektra Entertainment, Rock Center, NYC | Bausman – Gill | Interior Design, May 1991 | Gun metal doors, work stations, & furniture |
| Niessing Jewelry Store, NYC | Toshiko Mori | Interior Design, Sept. 1990 | Black patina steel store displays |
| Mison Concepts company profile | Mison Concepts/Joseph Jaroff | New York Times, Aug. 2, 1990; Travelers Protection Magazine, Feb. 1990 | “Where to Get It Done and Who Does It””Through Thick and Thin” |
| “Kyoto Arts and Fashions” Display, NYC | Toshiko Mori | Interior Design, Jan. ’9011th Annual Interiors Awards | Stainless steel cables and displays |
| “Rector Gate,” Battery Park, NYC | R. M. Fischer | America West Airline Magazine, 1990 | 60 ft. outdoor sculpture in stainless steel, brass, bronze, and gold |
| Onward Kashiyama Showroom, NYC | Toshiko Mori | Interior Design, Sept. 1989 | Displays and furniture in copper and bronze |
| Cahners Publishing Company Offices, NYC | PHH Neville Lewis | Interior Design, Sept. 1988 | Painted carbon steel and cast glass |
| Rainbow Room, NYC | Hugh Hardy | Interior Design, June 1988; New York Magazine, Feb.1988 | Wine racks, Elevator call lights, Support for glass tips, |